Sony Imageworks, the company behind The Amazing Spider-Man’s visual effects, has done a spectacular job of making Andrew Garfield’s digital double a realistic, believable entity — so much so that a lot of the shots I expected to be a combination of live-action shots of a stuntman in a suit and animation are just straight-up digital. What they do more than most VFX houses is that they seem to trust in simulation, whether it’s simulating cloth or even muscles juggling with the force of punches or steps. It adds a realistic dimension to what may…
Tag: vfx
Vanity Project: First Hurdles
No small part of the issue with remastering Star Wars: The Gifted is what’s left of it. There’s no original footage—only the final cut of the film. That means that everything we did to the original tape—capturing, rendering, visual effects, the whole shebang—is there to be worked around. SWTG was shot on NTSC VHS tape, which in and of itself is a poor medium to capture from. Wikipedia tells me that VHS records 333×480 pixels per frame at 30 frames per second. The source footage was captured by Chris in…